Over the Top: passing the kite over your head
This lesson is part of the Cramayailes indoor 4-line school, restored by QuadKites.org. The text is Thierry Bressure’s, in the first person, translated from French. The video commentary is in French.
The figure
Section titled "The figure"Passing the kite over your head, describing an arc.
The lesson
Section titled "The lesson"Although this figure actually requires no prerequisite, since no technique from the previous lessons is absolutely necessary, I put it in the intermediate category because performing it well is far from obvious:
- the kite goes through a stage where the pilot’s movement cannot generate relative wind;
- the pilot’s movement is complex in order to keep pressure;
- an arm movement is needed to keep pressure.
The figure consists of making the revo climb to the zenith, then come down on the other side.
Key takeaways from this video — Over the Top lesson
- The figure is ideally flown under pressure from start to finish, with the thumbs up on the way up and on the way down.
- At the zenith, generate vertical relative wind by pulling the arms down, and let the lines take a half turn.
- The difficulty is staying well on axis: the video compares a less successful pass and a better one.
Transcript — Over the Top lesson
A figure to fly under pressure
0:00The over the top is an easy figure which, ideally, should be flown under pressure from start to finish.
Thumbs up
0:22On the way up, the thumbs are up. On the way down, the thumbs are up as well.
At the zenith: vertical wind with the arms
0:30At the zenith, generate a vertical relative wind by pulling the arms down and let the lines take a half turn.
Pressure, rotation, pressure.
Staying on axis
0:51One difficulty is staying well on axis. Here, it is not the case. Here, it is a little better.
Avoiding line twists
1:13To avoid picking up a line twist on leaving the over the top, you can apply the following rule.
If, on the way out, I want to go left, during the climb I turn left. I turn right, so on the way out, I turn right. I turn right, on the way out, I turn right. […]
Movement
Section titled "Movement"During the climb phase, the pilot moves straight back. When the kite is close to the zenith, the relative wind being horizontal, its effect on the revo is almost nil.
Two techniques are possible:
- either the momentum given to the revo during the climb is enough to carry it over to the other side;
- or you generate wind perpendicular to the kite, that is, vertical, by lowering your arms.
The momentum technique does not allow a slow bell shape, and the lack of pressure at the zenith prevents performing a complex figure. Prefer the technique of vertical wind produced by the arms.
At the moment the revo passes over your head, the pilot must turn around and move back to accompany the kite under pressure on its descent.
Control
Section titled "Control"Starting from a 360, begin a turn over the top. When the kite is LE up, release the brake on the braked wing and move straight back. The revo begins its ascent.
Keep moving straight back, releasing the brakes so that the kite climbs. Take advantage of this moment, when you have more power than needed, to raise your arms a little.
When the kite is almost at the zenith, pull your arms down to generate vertical wind. The kite keeps moving forward and passes over the pilot’s head. The pilot turns around to face the kite and moves back. Moving back is essential here to keep pressure at a constant speed.
When the kite is low enough, just before entering the first flight level, turn by braking one wing. Add compensation and go into a 360.
Crossing lines
Section titled "Crossing lines"When the pilot turns around, the hands are still straight but the lines cross.
A mistake is to believe the handles must follow the kite in the descending phase. Doing so leaves you with the handles upside down, and you can only restart in one direction in a 360, because the anatomy of the body only allows that one.
A golden rule with the revo: the hands must stay in front of you, left hand on the left and right hand on the right. The lines, however, cross!
By turning around and keeping the hands in front, the pilot ends up with a half turn in the lines. On leaving the OTT, one side undoes this half turn and the other adds yet another half turn, ending with a full turn in the lines. The second case is less favorable. How to avoid it?
During the climb, ask yourself which way you want the kite to go after its descent, relative to the pilot. If you want it to go right, that is, the kite passes over your head, you turn around and the kite goes left: in that case, you must turn your back to the right, that is, turn around through the left.
What comes next
Section titled "What comes next"In the next lesson of this intermediate category, we will learn the guillotine.
Last updated: — restored Thierry Bressure's Over the Top lesson, with the figure reference
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